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		<title>Call For Papers: The Inklings and King Arthur</title>
		<link>https://thefantasy.news/2013/10/13/call-for-papers-the-inklings-and-king-arthur/</link>
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		<dc:creator><![CDATA[adpoole]]></dc:creator>
		<pubDate>Sun, 13 Oct 2013 16:45:18 +0000</pubDate>
				<category><![CDATA[Fantasy Books]]></category>
		<category><![CDATA[J.R.R. Tolkien]]></category>
		<category><![CDATA[arthurian cycles]]></category>
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		<category><![CDATA[Charles Williams]]></category>
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		<category><![CDATA[King Arthur]]></category>
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		<guid isPermaLink="false">http://legendarium.mymiddleearth.com/?p=16895</guid>

					<description><![CDATA[<p>From Sørina Higgins of The Oddest Inkling &#8211; The recent publication of The Fall of Arthur, an unfinished poem by J.R.R. Tolkien, revealed a startling aspect of the legendarium. The key is found in notes Tolkien left about how he intended the fragmentary Fall of Arthur to continue (included in Christopher Tolkien&#8217;s editorial matter). After ...</p>
<p>The post <a rel="nofollow" href="https://thefantasy.news/2013/10/13/call-for-papers-the-inklings-and-king-arthur/">Call For Papers: The Inklings and King Arthur</a> appeared first on <a rel="nofollow" href="https://thefantasy.news">The Fantasy Network News</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center"><a href="http://legendariummedia.com/wp-content/uploads/2013/10/tolkien_emblem.jpg"><img loading="lazy" class="aligncenter  wp-image-16896" alt="tolkien_emblem" src="http://legendariummedia.com/wp-content/uploads/2013/10/tolkien_emblem.jpg" width="528" height="396" /></a></p>
<p><strong>From Sørina Higgins of <a href="http://theoddestinkling.mymiddleearth.com/" target="_blank">The Oddest Inkling</a> &#8211;</strong></p>
<p><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">The recent publication of </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>The Fall of Arthur</i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">, an unfinished poem by J.R.R. Tolkien, revealed a startling aspect of the legendarium. The key is found in notes Tolkien left about how he intended the fragmentary </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>Fall of Arthur </i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">to </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">continue (included in Christopher Tolkien&#8217;s editorial matter). After Arthur was carried away for healing, Lancelot would follow him into the West, never to return.</span></span></span></p>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"> In other words, Lancelot functions like Eärendel. He sails into the West, seeking a lost paradise. If Tolkien had finished this poem, he could have woven it together with </span></span></span><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">The Silmarillion</span></span></span></em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"> so that his elvish history mapped onto the legends of Arthur, forming a foundation for “real” English history and language. In addition, he could have collaborated with Lewis, Williams, and Barfield, creating a totalizing myth greater than any they wrote individually.</span></span></span></p>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"> The publication of this extraordinary poem thus invites an examination of the theological, literary, historical, and linguistic implications of both the actual Arthurian writings by the major Inklings and of an imaginary, composite, Inklings Arthuriad. </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><span style="text-decoration: underline">This collection will compare the Arthurian works, especially the mythological geographies, of Tolkien, Lewis, Williams, </span></span></span></span><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><span style="text-decoration: underline">Barfield, their predecessors, and their contemporaries</span></span></span></span></em><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">.</span></span></span></em></p>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><b>Topics may include, but are not limited to:</b></span></span></span></p>
<ul>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Survey of Arthurian literature to 1900</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Arthur in England during the World Wars</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Spiritual Quest in a Scientific Age</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">On Mythological Geographies</span></span></span></p>
</li>
</ul>
<ul>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Tolkien and/or Lewis as Arthurian scholars</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Lancelot as Eärendel? </span></span></span><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">The Fall of Arthur </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">and </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">The Silmarillion</span></span></span></em></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Western Isles and and Faerie Land: The Geography of </span></span></span><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">The Fall of Arthur</span></span></span></em></p>
</li>
</ul>
<ul>
<li>
<p align="LEFT"><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Perelandra</span></span></span></em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">: Avalon in the Heavens?</span></span></span></p>
</li>
<li>
<p align="LEFT"><em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">That Hideous Strength</span></span></span></em><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">: Merlin and The Pendragon</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Williams</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">’</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"> Anatomical Arthur</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"> or Williams’ Occult Arthur</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Tolkien, Lewis, or Williams as Political Commentator</span></span></span></p>
</li>
</ul>
<ul>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">George MacDonald and Faerie </span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">G.K. Chesterton and the Historical Arthur </span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">James Frazer and Jessie Weston on Romantic Rituals</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Arthur for Kids: Howard Pyle and Roger Lancelyn Green</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Owen Barfield and the Holy Grail </span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">T.S. Eliot</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">’</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">s </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Wasteland</span></span></span></p>
</li>
<li>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Meta-Malory: T.H. White</span></span></span></p>
</li>
</ul>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><b>ABSTRACT SUBMISSION PROCESS</b></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><br />
Submissions are invited from any geographic region, and representing the disciplines of literature, theology, or history. Abstracts should be between 500 and 1000 words and </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">should include:<br />
• Name(s) and contact information, including institutional affiliation and email address(es);<br />
• A brief introduction to the topic, including scope and texts under consideration;<br />
• The theoretical framework used;<br />
• The main conclusions;<br />
• The implications of this paper for the overall vision of this volume.</span></span></span></p>
<p><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">In addition, please submit a curriculum vitae, including a list of previous publications.</span></span></span><strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"> However, please note that younger and emergent scholars, including promising graduate students, are especially invited to submit, so a shorter list of publications should not deter applications. </span></span></span></strong><strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Please note: all submissions must represent previously unpublished work.</span></span></span></strong></p>
<p align="LEFT"><strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Interested authors are invited to submit an abstract for a proposed chapter by 1 January 2014 to the collection editor, </span></span></span></strong><strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Sørina Higgins: </span></span></span></strong><strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><span style="text-decoration: underline">inklings.arthur@gmail.com</span></span></span></span></strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">.</span></span></span></p>
<p><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Selected authors will be notified by 1 April 2014, and will be invited to contribute a full-length chapter by 1 November 2014. Essays should be between 4,000 and 10,000 words</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">and conform to MLA style. All chapters will be peer-reviewed by the collection editor and at least one other external reviewer before submission to the publishing house Editor. </span></span></span></p>
<p><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Please direct inquiries and submissions to </span></span></span><strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><a href="mailto:inklings.arthur@gmail.com">inklings.arthur@gmail.com</a>.</span></span></span></strong></p>
<p align="LEFT">&#8212;</p>
<p align="LEFT"> <strong><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">EDITOR BIOGRAPHY</span></span></span></strong></p>
<p align="LEFT"><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">Sørina Higgins blogs about Charles Williams at </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>The Oddest Inkling</i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">. She is currently editing </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>The Chapel of the Thorn </i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">by Williams (forthcoming from Apocryphile). Her article “Double Affirmation: Medievalism as Christian Apologetic in the Arthurian Poetry of Charles Williams” featured in a topical issue of </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>The Journal of Inklings Studies </i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">in October 2013, and her chapter “Is a ‘Christian’ Mystery Story Possible? Charles Williams’ </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>War in Heaven </i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">as a Generic Case Study” appears in </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>Christianity &amp; the Detective Story </i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">(Cambridge Scholars, 2013). Sørina serves as Review Editor of </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium"><i>Sehnsucht: The C. S. Lewis Journal</i></span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">,</span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">teaches English </span></span></span><span style="color: #000000"><span style="font-family: 'Palatino Linotype', serif"><span style="font-size: medium">at Penn State (Lehigh Valley) and Lehigh Carbon Community College, and holds an M.A. from Middlebury College&#8217;s Bread Loaf School of English.</span></span></span></p>
<p>The post <a rel="nofollow" href="https://thefantasy.news/2013/10/13/call-for-papers-the-inklings-and-king-arthur/">Call For Papers: The Inklings and King Arthur</a> appeared first on <a rel="nofollow" href="https://thefantasy.news">The Fantasy Network News</a>.</p>
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